Biggest mistake I ever made
Acrylic painting on cotton canvas
Width: 90cm, height: 90cm, depth: 3cm
Available for purchase.
2nd painting from From the transcript – a series about pivotal moments, where love, dependency, and rupture are laid bare. This work is part of a triptych that traces a love story that pushed limits. It captures the raw fear of abandonment, where existence feel inseparable from the presence of another.
The composition moves between closeness and collapse. Forms fold into themselves, overlap, and resist separation. There is no fixed ground – only layers holding each other up.
Painted on cotton canvas in expressive layers of acrylic, the work is built through a physical and intuitive process. Broad, fluid gestures are applied, scraped, and reworked while still wet, allowing earlier decisions to remain visible beneath the surface. The resulting texture carries both movement and resistance, where soft transitions are interrupted by sharper lines and exposed underlayers.
A painting in a triptych about getting yourself up from the abyss. Lost without aim, lifting your weight up to nearest stable point. This is the 3rd painting in my series called No instructions.
Crafted on cotton canvas in expressive layers of acrylic paint. In this piece traditional brushwork meets an experimental technique: flowing streams of liquid rubber that are painted over, then meticulously scraped away to reveal intricate strata. The resulting composition pulses with depth and movement as each peeled-back layer uncovers hidden contrasts. Watch the painting process here.
With dynamic textures and defined lines, the piece evokes an interplay between struggle and clarity — capturing the tension of losing direction and the quiet determination to rise, one exposed layer at a time.
The process
Other paintings from From the transcript series
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